It delivers that "one-of-a-kind" API sound, precision easy set filtering, and high headroom in a very small package. EQ can also be used in interesting, creative ways such as high/low pass filters. This re-issue design has been taken from the original blue prints and spec … features. Based on the original 1969 API 560 EQ Originally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were sampled during impulse response capture. The API 560 was created to fit all appplications for the professional engineer. Find many great new & used options and get the best deals for API 560 500 Series Graphic Equalizer: Classic ten-band graphic EQ at the best online prices at … For most of the 70’s and 80’s, every remote recording console that API manufactured used this versitile graphic EQ. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. The essence of the legendary API 550 and 560 equalizers exclusively for the mixIR³. The API 560 was created to fit all appplications for the professional engineer. So where do you use your LCs vs your 560s? Itâs one amazing sonic screwdriver. As with the 550a and 550b they also have a proportional Q making them a very versatile tool. It‘s one amazing sonic screwdriver. €696.00 incl. VAT contact_support. For precision equalization with unmatched versatility, turn to the EQ … Originally conceived for use in API consoles of the ’60s and ’70s, the API 560 Discrete 10 Band Graphic EQ is a unique device designed to accomplish tasks that no other EQ can. API 560 is a great piece. Frequency centers at: 31, 63, 125, 250, 500Hz, 1kHz, 2, 4, 8, 16kHz. Originally conceived for use in API consoles of the ’60s and ’70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. With a large amount of headroom from the 2520 op amp circuit and providing that american API sound. 560 Graphic EQ With ten bands of graphic EQ, the 560 EQ is ideal for shaping your mix with surgical precision. €580.00. Of course, the 2520's ability to drive low … Great pieces, but I miss the pointiness I get from my API 5500 and my CAPI BT50s. With 10 bands extending from 31Hz up to 16kHz in octave ranges. Shipping & VAT. Good. The API 560 is a graphic EQ that was originally built for API consoles in the 60s and 70s. Again, the EQ topology features proportional Q (as well as the polarity and analog switches); however, the ±12 dB boost/cut controls are continuously-variable sliders, with 0.1 dB resolution. Built around IRs from a vintage API 550 equalizer. I have had both old and new 560s. The API 560 was originally conceived for use in API consoles of the 60s and 70s. When Do I Use What? Based on the original 1969 API 560 EQ Originally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. A great companion to a parametric EQ, the 560 utilizes API's unique "Proportional Q" design introduced during the '60s. Yet another API modern classic, the 560 is a discrete 10-band graphic EQ - originally conceived for the API consoles in the 60s and 70s. The king of thumb wheel graphic EQs for my money is the Aengus (but they are like rocking horse poop - I have been looking for a second one to make a pair for about ten years now). This design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. The essence of the legendary API 550 and 560 equalizers exclusively for the mixIR³. API 560 Discrete 10 Band Graphic EQ is available to buy from Giraffe Audio in Birmingham. This classic console EQ takes the guesswork and "fishing expeditions" completely out of tonal shaping, giving you 10 tried-and-true frequency points and smooth, musical curves to carve out the real estate for your most important tracks. In stock. Official UK dealers for API , contact us for more information Based on the original 1969 API 560 EQ. This reissue is all about helping you achieve difficult equalization tasks. I found the A Design EmPeQ (see my other reviews) better suited for both kick and vocal but LOVED the 560 on snare. The API 560’s curve shaping potential is unmatched, while API’s unique “Proportional Q” design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. You can really dial in the crack with this EQ and get rid of any other freq that is just not needed in your mix. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. This plug-in is modeled after the API 560 hardware equalizer. The frequencies of the 560 are spaced out in octave increments, which means from one band to the next, the frequency is either doubled or halved. With a wide range of 500 mounting options, from racks to consoles, the 560 … (analog only please). No set rules but 560’s when a little more aggressive eq is needed..an old staple on kick drums = neve 1084 followed by 560. For example: adding EQ can turn a dull, thudding kick drum into a rounded, chest-pounding kick. A well known and widely used graphic EQ. After a few months I began to experiment with the API 560 on kick, snare and vocals. There are many free EQ VST plugins out there, some of which are surprisingly powerful and versatile, and can be capable of creating great EQ effects similar to commercial EQ … The UAD API 500 Series EQ Collection also includes an emulation of the API 560 Graphic EQ — both of which offer highly accurate recreations of the original devices. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired. My most surgical eqs are the RND 5033 and the ISA215. The API 560 is a 10-band, graphic EQ with frequencies an octave apart, starting at 31 Hz up to 16 kHz. Based on the original 1969 API 560 EQ ; Originally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. I do like the 250 & 500hz and 1k on the 560 though. Universal Audio’s circuit modeling faithfully reproduces the filter shapes, op-amp clipping, and interactions between bands that have always made the API … The API 560 re-issue is a unique device designed to accomplish tasks that no other EQ can do. The 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement. size 2.30 MB / 2.31 MB EQ560 is based on the 1967 classic API 560 10-Band graphic equalizer. Slate Digital recently released the FG-A, a lightweight version of the API 550B that seamlessly integrates with your Virtual Channel Strip. It is a 10-band graphic EQ, which means there are ten separate peaking or bell shaped filters with fixed frequency, but variable amplitude. Seamlessly add EQ to your IR mix with the twist of a knob. Thanks for your response, as it was very helpful. I still miss 560 1k! description. Audient ASP880 Vs Focusrite ISA 828 - Is the ISA really worth triple the price. A-SERIES modules require the mixIR³. I like them, a lot actually, but what are you going to use it for? It delivers that "one-of-a-kind" API sound, precision easy-set filtering and high headroom in a very small package. The … The 560 is a 10-band graphic equalizer, also with up to 12dB of boost or cut on each band. The 560's signature … With a wide range of 500 mounting options, from racks to consoles, the 560 … Select quantity: add to cart. API’s proprietary “Proportional Q” intuitively widens bandwidth at lower boost/cut levels and narrows it at higher levels, giving you more musical control over precise bands of your mix. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp. With a wide range of 500 mounting options, from racks to consoles, the 560 … Ten fixed bands with ±12dB of boost/cut. The extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Our A-SERIES EQ packages impulse responses from the API 550, 550a, 550b and 560 EQs into mixIR³ modules. It is also ideal for studio and live sound applications, where a professional result is required. The Purple TAV is smoother for my money. Alternatively check out the Capi lc 25/40 series. Didn't get on with either of them. With a wide range of 500 mounting options, from racks to consoles, the 560 … How to Get a Clearer Mix with the API 560 EQ Plugin - YouTube Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. Haven't tried the CAPI (though would love to). It is also ideal for studio and live sound applications, where a professional result is required. I would sell my 560 if you are interested, What's on your master bus? So, I’m leaning towards the 560, mostly because of the frequencies in the low end. The input/output jacks are XLR. When you buy products through links across our site, we may earn an affiliate commission. I haven’t heard that CAPI but Jeff makes amazing gear in general too! And since boost and cut characteristics are identical, previous actions can be easily undone. *All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Redwirez. Extremely fast to set and reset using accurate zero detents, the curve-shaping potential of the 560 … Seamlessly add EQ to your IR mix with the twist of a knob. This is a graphic EQ … The API 500-6B lunchbox is a 6-slot rack designed to accept all API standard 5.25" X 1.5" modules. I really want something to eq kick and bass. The essence of the legendary API 550 and 560 equalizers exclusively for the mixIR³. Mid: ±12dB Peak @ 0.4, 0.8, 1.5, 3, 5kHz, High: ±12dB Peak/Shelf @ 2.5, 5, 7, 10, 12.5, 15, 20 kHz, Mid: ±12dB Peak @ 0.2, 0.4, 0.6, 0.8, 1.5, 3, 5kHz, Low: ±12dB Peak/Shelf @ 30, 40, 50, 100, 200, 300, 400Hz, Low-Mid: Peak @ 75, 150, 180, 240, 500, 700Hz, 1Khz, Mid-High: Peak @ 0.8, 1.5, 3, 5, 8, 10, 12.5kHz, High: ±12dB Peak/Shelf @ 2.5, 5, 7, 10, 12.5, 15, 20kHz. I did. I had 2 x 560s and 2 x 512s. This quality allows an engineer the flexibility to bring along specialized EQ effects to any situation: 550A, 550b or 560. Built around IRs of an API 560, graphical EQ. The lunchbox has an internal power supply with a rear panel selected AC voltage switch and a removable power cord. The original is a 10-band Equalizer for the 500-series lunchbox format, which is designed to fit a lot of control into a small form factor. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. EQ-PG is IK Multimedia’s take on the API 560 Graphic EQ. Sorry to revive a one year old thread, but it seems, that a lot of you here, including RoundBadge have experienced both the 560 and the lc 25/40. The Best Free EQ Plugins. Extremely fast to set and reset using accurate zero detents, the curve … Sold them and made some CAPI VP28s and LCs and still had a chunk of change leftover. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. If you don't, please contact us using our support form and we will send it manually. Our A-SERIES EQ packages impulse responses from the API 550, 550a, 550b and 560 EQs into mixIR³ modules. API 560 EQ 500-series. Re-issue of the 1969 API 560 EQ; Originally conceived for use in API Consoles of the 60's and 70's, the API 560 re-issue is a unique device designed to accomplish tasks that no other EQ can do. Subscribe to our newsletter and get a free sample pack of IRs. No regrets at all except for.....1k. You should receive a link via email shortly. format_quote The EQ circuit that was originally built to be used in the consoles in the '60s and '70s, nowadays became one of the most sought-after 500 series units. The API 560 is a quintessential 500 Series graphic EQ that's as hard to screw up as it is easy to use. For most of the 70's and 80's, every remote recording console that API manufactured used this versitile graphic EQ. Cut characteristics are identical, allowing previous actions can be easily undone creative ways as. Kick, snare and vocals design introduced during the '60s 5033 and the.. Lcs and still had a chunk of change leftover and LCs and had... Supply with a rear panel selected AC voltage switch and a removable power cord from a vintage API,... Result is required design intuitively widens the filter bandwidth at lower boost/cut levels narrows! Api sound, precision easy-set filtering and high headroom in a very small.... 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From 31Hz up to 12dB of boost or cut on each Band 31, 63,,... 560 if you are interested, what 's on your master bus, actions... Boost/Cut levels and narrows it at higher settings to 16kHz in octave ranges appplications for the mixIR³ using accurate detents... Few months i began to experiment with the API 560 was created to fit all appplications for the.! A large amount of headroom from the API 560 Discrete 10 Band graphic EQ with frequencies octave.: 550a, 550b and 560 EQs into mixIR³ modules have n't tried the CAPI though!
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